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#21: Last Picture Song (May 22, 2011)

This week's tune is "Last Picture Song", a song that's been with me for a couple of decades. It's a solo effort, me and my guitar, with drums/bass/piano/strings composed and played using Sibelius, an excellent composition tool. This song is probably best described as an apocalyptic metaphor, and you may make of that what you will. I've always been especially drawn to the melody and chords, and I'm particularly happy with the string trio (violin, viola, cello) break.
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#22: Have Your Love (May 29, 2011)

This week's tune is "Have Your Love", another old-timer. To perform it, we go back to Jason's Pub and perhaps one of the world's only power folk trios, the T Rex of folk-rock: me, Jason Morgan & Clark Williams. It's a straight-up tune, I reckon, sort of a boy-girl unrequited love deal. Although the lyrics carry a heavy dose of irony and it does have a pretty severe case of tongue in cheek. Oh, and the chord structure is very unusual for the genre, if there is a genre to which it belongs (we're already on shaky ground with the phrase "power folk trio" :). Come to think of it, maybe it's not so straight-up as all that. Pretty tight arrangement, we had a blast doing it.

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#23: Triana (June 3, 2011)

This week's tune is "Triana", a solo effort. "Triana" is nothing but a country song, a drinking song, as anybody who's ever been down to the River Club will likely suspect. This goes back to my much wilder days, back when I could (and did) stay up all night. Not recommended behavior, but there you go. Yes, it's a straight-up country song, or at least as straight-up as I could ever hope to write one. 

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#24: Too Far To Catch Me (June 11, 2011)

This week's tune is "Too Far To Catch Me", caught live in performance by Bimini Road at Berkeley Bob's Coffee House in Cullman, Alabama. We were there as part of a city-wide event, Cullman Appreciation Day. Marvelous time, the whole downtown was full of music stages, vendors and crowds of people all there celebrating the fact Cullman is rebuilding downtown after the devastation of the tornados of April 27. We were proud to be part of it, and playing at our favorite place. Bob was unable to be there, as he is recovering from heart surgery (and we all wish him well and are keeping him in our prayers), but I did get to talk to him, and his spirit is as broad and positive as ever. "Too Far To Catch" is a relatively new tune, we've played it for a few years. It was great to have Shelley's mandolin back in the mix, and there's some nice "call & response" going on in the second lead break. There's also some interesting cinematic moments at about the 1:30 mark.

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#25: Purely States the Blues (June 18, 2011)

This week's tune is "Purely States the Blues", recorded up in Jason's Pub. Jason, Clark & I did the honors on recording. "Purely" is a song that reaches back again, I wrote it several years ago. As Bimini Road (or our earlier incarnation of Mister Charley), I think we may have performed it once, or maybe we just played it in the garage. It's another sort of rockish hymn ("learning that eternal song"), suitable for some church that exists in a universe I frequent every now and then (what a great phrase: "frequent" "every now and then". We speak a wonderful language, a language for poets and scientists and aviators. I love it.)

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